This museum grade fine art photograph is available in a fine art limited edition of 200, signed and numbered with a signed Certificate of Authenticity (COA) provided for additional provenance.
Emptiness - Bioluminescence, Fog and the Wreck of the Peter Iredale on the Oregon Coast, Oregon
Wreck of the Peter Iredale, Fort Stevens State Park, Oregon Coast, Oregon
Bioluminescence, Fog and the Wreck of the Peter Iredale on the Oregon Coast, Fort Stevens State Park, Oregon
Clouds fill the sky at night while a marine layer of fog begins to roll in towards the Wreck of the Peter Iredale as the last bioluminescence of the season illuminates the waters of the Pacific Ocean as it rolls ashore. I took this photo a little over 2 months after I coded out for 2 minutes from a widowmaker heart attack, after hearing news my career would be done. I was determined to not let that happen, and here I am today.
Read the story below to learn more. To view my other photograph from this same recovery period, see Veil of Silence and Breath of the Unending
Emptiness on the Oregon Coast: A Story of Recovery, Determination and Resilience
I took this photo a little over 2 months after I coded out for 2 minutes from a widowmaker heart attack. My ejection fractions were 29%, and my (now former) cardiologist had told me I ;needed an ICD. If I got one, I ;could live a good life in a chair for the rest of my life, but my photography days would be behind me. He pulled out the ICD unit and prepared to explain how the surgery would go, Insurance would cover it. I stopped him right there. I told him no thanks, that's not the life I wanted. I'd just grab my camera bag and keep on going. He replied "but James, you're so young!" I told him "I'd rather live my life and keep doing what I love for however long the good lord allows me, than to live the next 40-50 years sitting in a chair." With that, I walked out of his office.
After proving to myself on a treadmill I could do it, I grabbed my gear and headed out. I was hitting MET 15.5 on a treadmill in cardiac rehab hooked up to a 3 led heart monitoring device, so I knew I would be fine. So I grabbed my tripod and 40 lbs camera bag and headed out, taking this photo a short while later. 6 months later, after finding a new cardiologist, my ejection fractions would be up to 40-45%. The next year, they were a solid 45% closing in on 50%. The rest is history. It all started with this photo and the other two in this series. I was determined to live my life, and nothing my first cardiologist said was ever going to stop me.
The last thing I ever told him was this: someday, you'll know you were wrong. You can use my story to inspire others who have suffered a heart attack and feel as if they've lost hope. Well, let this story be that inspiration, and let this beautiful scene of bioluminescence at the Wreck of the Peter Iredale and a marine layer of fog over the Pacific Ocean be that inspiration. The scene seems empty at first, but emptiness is whatever you make it, and at the moment I saw this, the emptiness of the Peter Iredale on a lonely beach against a layer of fog was the most beautiful thing I could have seen.
What is Bioluminescence?
Bioluminescence is caused by dinoflagellates, microscopic marine organisms (which are mostly marine plankton) that emit light when physically disturbed by wave action, producing the stunning blue glow visible here. Your eyes won't physically see the deep blue glow of bioluminescence in photographs unless it's near total darkness, you've given your eyes time to adjust, and it's an exceptionally intense display. This is because our rods are how we see at night, and they don't perceive color well (essentially leaving us color blind in the dark). Bioluminescence often appears as white caps on and in the waves to the naked eye, but it's still very noticeable and amazing to see. The longer you let your eyes adjust, and the more experience you have with spotting bioluminescence, the more soft hints of hues and color you will be able to recognize. Bioluminescence often occurs following plankton blooms.
As mentioned, our eyes cannot see color well in the darkness due to the biological constraints of our eyes. Our cones are activated by color, and as such they cannot see in the dark. Our rods see in the dark but cannot see color. Camera sensors do not have this problem, they are able to see the color that is truly there as long as you exposure the image for long enough. As a result, cameras are able to capture the vivid displays of bioluminescence and color our eyes cannot see, as they are not limited by the same biological constraints as our eyes in the dark. Interestingly enough our eyes see better than cameras in the daytime, with the human eye possessing approximately 20-21 stops of dynamic range compared to 14.5-15 stops for most camera sensors, with only the best professional sensors reaching 16 stops. However, camera sensors can 'see in the dark' by collecting accumulated light over long exposures when our eyes cannot.
Technical Specifications
- Camera: Canon EOS 5D Mark III
- Lens: Canon EF 24-70mm f/2.8L II USM
- Settings: 24mm | f/2.8 | 30 Seconds | ISO 6400
- Process: Single Exposure | Low Level Lighting (LLL) in Foreground | In-Camera Long Exposure (The Mead Method) | Bespoke Multi-Layer Noise Management (Manual Masking to preserve fine detail and raw data integrity)
Technical Note
Achieving a balance between the neon-blue of the bioluminescent waves and the deep rusted tones of the Peter Iredale required precise LLL (Low Level Lighting) execution. By utilizing a single-exposure workflow, I’ve ensured the temporal relationship between the moving tide and the Wreck of the Peter Iredale remains 100% authentic to the moment.
Historical Note - Fort Stevens State Park Access at Night
This photograph was captured in 2021, prior to the current 10:00 PM parking closures at Fort Stevens State Park. It serves as a rare document of the Clatsop Spit at night, a perspective that is increasingly restricted due to modern park management and conservation regulations.
Note on Provenance
This image is a certified Single Exposure. Captured using the "Mead Method" developed over 15 years of nightscape experience. No trackers, no sky-swaps, and no generative AI. Just a single moment in time, preserved.
Photo © copyright by James Mead.
Chromaluxe® Metal Prints | Gallery Float Ready to Hang
Vibrant. Modern. Impactful.
My Chromaluxe® Metal Fine Art Prints offer a sleek, modern presentation that’s both bold and beautiful. Using a high-heat dye sublimation process, each image is infused directly into a specially coated aluminum panel resulting in vibrant colors, ultra-sharp detail, and a striking glossy finish. The dye sublimation process infuses the image directly into the metal, creating a scratch resistant surface while helping provide permanent protection.
These prints feature:
• Vivid, color-rich surfaces ideal for modern spaces
• High contrast and incredible sharpness: perfect for clean compositions and bold landscapes
• Durable and lightweight aluminum construction
• Float mount backing for a frameless, floating display. Ready to hang out of the box
• Signed and Numbered Limited Editions of 200
• Signed Certificate of Authenticity (COA) provided for additional provenance
• Hand Crafted in the USA by our master printmakers
Please contact me for Alaska, Hawaii, and international shipping rates. Please allow 3-4 weeks for production and delivery.
These metal prints are ideal for collectors seeking a contemporary look with museum-quality output. Resistant to scratch, moisture and UV fading, they work beautifully in both home and office settings.
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Lumachrome TruLife® Acrylic HD Fine Art Prints | Gallery Float Ready to Hang
Museum-Grade Brilliance. Gallery-Worthy Depth.
Bring home the brilliance of nature with the industry’s finest print medium. My Lumachrome TruLife® Acrylic HD Fine Art Prints are crafted using a state-of-the-art process that infuses archival pigments into a transparency layer, backed by a clear acrylic backer and mounted under crystal-clear TruLife® acrylic. This creates a luminous, almost 3D effect. Colors appear to glow from within.
These gallery-grade prints feature:
• Incredible depth and clarity, fine details leap off the wall
• Exceptional color fidelity with deep saturation and smooth tonal gradations
• Anti-reflective, scratch-resistant museum grade 1/8” TruLife® acrylic offering unmatched viewing clarity under all lighting
• UV Resistant: TruLife® acrylic blocks up to 99% of UV rays
• 1/8" clear acrylic backer mounted using an archival adhesive layer
• 1.25” Roma wooden rear float mount frame inset 2” from the edge for a clean, frameless display that is ready to hang
• Signed and Numbered Limited Editions of 200
• Signed Certificate of Authenticity (COA) provided for additional provenance
• Hand Crafted in the USA by our master printmakers
• Ready to hang out of the box: no glass or framing required
Please contact me for Alaska, Hawaii, and international shipping rates. Please allow 3-4 weeks for production and delivery.
Whether you're designing a luxury interior or curating a personal gallery, these prints are built to impress and designed to last a lifetime.
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Roma Framed Lumachrome TruLife® Acrylic HD Fine Art Prints | Museum-Quality Ready to Hang
Timeless elegance. Unrivaled depth. A true centerpiece.
My Roma Framed Lumachrome TruLife® Acrylic HD Fine Art Prints represent the pinnacle of archival display. These statement pieces combine the award-winning brilliance of Lumachrome HD with the craftsmanship of custom Roma wood mouldings, transforming your chosen image into an heirloom-worthy work of art.
Each piece is handcrafted by master printmakers and framers in the USA using museum-grade materials. The print itself is infused with archival pigments into a transparency layer, mounted to an archival acrylic backer and face-mounted and sealed under a 1/8" layer of crystal-clear TruLife® acrylic: a premium optically-coated surface that eliminates reflections and enhances depth, vibrance, and clarity.
Surrounding this luminous presentation is your choice of genuine Roma Moulding, hand-built with a choice of 3.5" or 4" Italian made wooden Roma frame with a 3" black linen liner for a refined, framed, museum grade appearance. This adds approximately 13 to 14 inches to both the height and width of the final piece. This level of finish is rarely seen outside of luxury interiors and gallery exhibitions.
After placing your order, I’ll reach out personally to confirm your ideal frame and liner pairing from my curated Roma collection. If you’d prefer to finalize your framing choice in advance, feel free to reach out any time for a custom recommendation.
These museum grade works of art feature:
• Gallery-grade presentation with luminous depth and 3D effect
• TruLife® acrylic: anti-reflective, scratch-resistant, and blocks 99% of UV
• Archival quality construction with pH-neutral adhesive and backer
• Available in your choice of 3.5" or 4" Roma wood mouldings with a black linen liner for a framed, museum-grade appearance
• Museum-grade 3" black linen liner for added depth and visual separation
• Signed and Numbered Limited Editions of 200
• Signed Certificate of Authenticity (COA) provided for additional provenance
• Hand Crafted in the USA by our master printmakers
• Ready to hang out of the box: no glass or framing required
Please contact me for Alaska, Hawaii, and international shipping rates. Please allow 4-5 weeks for production and delivery.
Whether displayed in a luxury residence, corporate lobby, or fine art collection, these framed prints command attention and offer a sense of permanence few art mediums can match.
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These are investment-grade art pieces designed to last generations. If you have any questions, need any mock-ups or if you need anything else before purchase, please reach out and I will be in contact shortly.